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Video Production Contract Template

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Video Production Contract Template

1. Deliverables Specification (Photography/Video)

DELIVERABLES 1.1 Final Deliverables. Provider will deliver to Client the following final edited Works ("Deliverables"): (a) Quantity: 1 final edited images/videos. This count refers to edited, export-ready files only. RAW, unedited, or rejected files do not count toward this number and are not included in the Deliverables unless expressly stated in Section [raw-footage-ownership-access]. (b) Image Specifications (if applicable): Resolution: Format: (e.g., high-resolution JPEG, TIFF, or PNG; RAW files excluded unless separately agreed) Color Profile: (c) Video Specifications (if applicable): 1.2 Delivery Method. Deliverables will be made available to Client via (e.g., online gallery link, USB drive shipped to Client's address, cloud download link). 1.3 Delivery Timeline. Provider will deliver the Deliverables within 14 calendar days after the shoot date (or, for multi-day projects, within 14 calendar days after the final shoot date). Time is not of the essence unless Client provides written notice that a specific deadline is material, in which case the parties must agree to that deadline in writing before the shoot. 1.4 Client Download Obligation. Client is responsible for downloading and backing up all Deliverables within 30 days of receiving the delivery notification. After this period, Provider has no obligation to retain or re-deliver the files. Provider is not liable for files that Client fails to download within this window.

2. Copyright Retention by Photographer

COPYRIGHT RETENTION 2.1 Ownership of Copyright. All photographs, video footage, and related works created by ("Provider") under this Agreement (collectively, "Works") are original works of authorship in which copyright vests in Provider upon creation, in accordance with 17 U.S.C. § 201(a). Provider retains all right, title, and interest in and to the Works, including all copyrights and all rights under copyright. 2.2 No Work-Made-for-Hire. The Parties expressly agree that the Works do not constitute "works made for hire" as defined in 17 U.S.C. § 101. Photography and videography services of the type contemplated by this Agreement do not fall within any of the nine enumerated categories in 17 U.S.C. § 101(2), and this Agreement does not constitute a written agreement to the contrary. 2.3 No Transfer of Copyright. No transfer or assignment of copyright in the Works occurs under this Agreement. Any transfer of copyright must be effected by a separate written instrument signed by Provider that expressly conveys copyright ownership, as required by 17 U.S.C. § 204. 2.4 License Grant Only. Client receives only the usage license expressly set forth in Section [usage-license-grant]. All rights not expressly granted to Client are reserved by Provider.

3. Usage License Grant (Scope, Territory, Term, Media)

USAGE RIGHTS SCOPE 3.1 Grant. Subject to full payment of all fees due under this Agreement and Client's compliance with all terms herein, Provider grants to Client the license described in this Section. 3.2 Exclusivity. The license is: non-exclusive (select: "non-exclusive" or "exclusive within the following category: "). 3.3 Scope of Permitted Use. Client may use the Works solely for the following purposes: . Use outside this scope requires a separate written amendment signed by both parties. 3.4 Territory. The license is limited to the following geographic territory: (e.g., "United States," "Worldwide," "European Union"). 3.5 Duration. The license commences upon delivery of the final Works and continues for: perpetual (e.g., "one (1) year," "three (3) years," "perpetually"). If no term is specified, the license is non-perpetual and expires twelve (12) months after delivery. 3.6 Non-Transferability. The license is personal to Client. Client may not assign, sublicense, or transfer any rights granted herein to any third party without Provider's prior written consent, except that Client may permit Client's employees and contractors to use the Works solely on Client's behalf within the scope of this license. 3.7 Print and Reproduction License. Client's right to reproduce the Works in print media (brochures, billboards, print advertising, merchandise) is limited to: (e.g., "up to copies," "internal use only," "unlimited print reproduction within the licensed territory"). Print rights beyond this scope require a separate written agreement.

4. RAW Files / Unedited Footage Ownership and Access

RAW FILES AND UNEDITED FOOTAGE 4.1 Ownership. All RAW image files, unedited video footage, outtakes, B-roll, test shots, and other unedited Works (collectively, "RAW Files") are and remain the sole property of Provider. RAW Files constitute Provider's work product and creative process materials. 4.2 No Delivery of RAW Files. Unless expressly specified in Section [deliverables-specification-photography], RAW Files are not included in the Deliverables and will not be delivered to Client. 4.3 No Right of Access. Client has no right to access, copy, review, or obtain the RAW Files. Provider's delivery of edited Deliverables satisfies Provider's obligations under this Agreement. 4.4 Retention Period and Deletion. Provider will retain RAW Files for 90 days after delivery of the final Deliverables ("RAW Retention Period"), after which Provider may permanently delete all RAW Files with no obligation to Client. The standard RAW Retention Period is thirty (30) days for commercial shoots and ninety (90) days for events and weddings, unless a longer period is specified above. 4.5 Optional RAW File Purchase. Client may purchase the RAW Files by submitting written notice and payment of within the RAW Retention Period. Purchase of RAW Files: (a) transfers physical possession of the files only; (b) does NOT transfer copyright ownership, which remains with Provider; and (c) grants Client a license to use the RAW Files solely for the purposes permitted under Section 2 (Usage Rights Scope). Provider has no obligation to retain RAW Files beyond the RAW Retention Period, even if Client's request is pending.

5. Intellectual Property Ownership, Work-for-Hire Designation & Assignment

INTELLECTUAL PROPERTY OWNERSHIP (a) Background IP. Each party retains all right, title, and interest in its Background IP. "Background IP" means all intellectual property owned or licensed by a party prior to the Effective Date or developed independently of this Agreement. Each party grants the other a limited, non-exclusive, royalty-free license to use its Background IP solely to the extent necessary to perform or receive the Services during the term of this Agreement. (b) Deliverables — Work-for-Hire Designation. To the extent that any Deliverable constitutes a "work made for hire" as defined in 17 U.S.C. § 101 (including as a contribution to a collective work, as a part of a motion picture or other audiovisual work, as a translation, as a supplementary work, as a compilation, as an instructional text, as a test, as answer material for a test, or as an atlas), such Deliverable is a work made for hire for , and will be the author and owner of the copyright therein from the moment of creation. (c) Assignment. To the extent that any Deliverable does not qualify as a work made for hire, hereby irrevocably assigns to , effective upon receipt of full payment for such Deliverable, all right, title, and interest in and to such Deliverable, including all copyrights, patents, trademarks, trade secrets, and other intellectual property rights worldwide, in perpetuity. (d) License for Partially-Paid Deliverables. If this Agreement terminates before has paid in full for a Deliverable, grants a non-exclusive, non-transferable, revocable license to use that Deliverable solely for 's internal purposes until the outstanding balance is paid, at which point the assignment in Section (c) becomes effective. (e) Agency Portfolio License. grants a non-exclusive, royalty-free, perpetual license to display the Deliverables (excluding any Confidential Information) in 's portfolio, case studies, and marketing materials, unless notifies in writing that a specific Deliverable is subject to confidentiality restrictions. (f) Third-Party Content. will obtain all necessary licenses for third-party content (stock images, fonts, music, software) incorporated into Deliverables, and will disclose to any third-party license restrictions that limit 's use of the Deliverables. (g) Moral Rights. To the extent permitted by applicable law, waives all moral rights in the Deliverables in favor of . (h) Agency Tools & Methodologies. Notwithstanding the foregoing, retains all right, title, and interest in its proprietary tools, templates, methodologies, know-how, and general processes used to create the Deliverables. 's rights are limited to the Deliverables themselves.

6. Model / Talent Release and Right of Publicity

MODEL AND TALENT RELEASE REQUIREMENT 1. Commercial Use Releases. is responsible for obtaining written model and talent releases from all identifiable persons appearing in the Deliverables before any commercial use. A person is "identifiable" if their face, distinguishing physical features, tattoos, or unique attributes are recognizable—back-of-head or fully obscured subjects do not require a release. 2. Required Rights. Releases must grant the perpetual, irrevocable, worldwide, royalty-free right to use the subject's name, image, likeness, portrait, and voice in all forms and media (now existing or later created), and must include a waiver of claims for invasion of privacy, right of publicity, defamation, and libel. 3. Minor Releases. For any subject under eighteen (18) years of age, a parent or legal guardian must execute the release on the minor's behalf. must verify the signatory's parental or guardianship status. See Section [minor-releases] for state-specific requirements (Coogan Act for CA, NY Civil Rights Law §§ 50–51, etc.). 4. Group and Event Releases. For events with large crowds (e.g., weddings, concerts, public events), attendees who are in the background as part of a general scene—and who are not the primary focus of the image or video—may be covered by implied consent or posted-notice consent where permitted by applicable state law. is responsible for confirming whether implied consent is legally sufficient in the state(s) of use. For any person featured prominently or individually in a commercial deliverable, an explicit written release is required regardless of crowd context. 5. Release Obligation Allocation. shall indemnify and hold harmless from any claim arising from the failure to obtain a required release or from a release that is defective, fraudulently signed, or legally insufficient in the jurisdiction of use.

7. Property Release and Location Permissions

PROPERTY AND LOCATION RELEASE 1. Private Property. is responsible for obtaining all necessary permissions, permits, and written property releases required to photograph or film at before the shoot date. 2. Public Property vs. Private Property. A property release is required for: (a) any privately owned exterior or interior; (b) any recognizable interior (e.g., distinctive hotel lobby, branded restaurant, unique architectural space) even if the exterior building itself is not identifiable; and (c) any property where the owner has a reasonable expectation of privacy or control over commercial use. A property release is generally NOT required for: (a) public streets, parks, or landmarks photographed from a public vantage point; or (b) incidental background appearances of property in a scene where the property is not the primary subject and not identifiable. When in doubt, should obtain written permission. 3. Scope of Permission. represents and warrants that secured permissions grant the right to use images of the property for: , and that the person granting permission is the owner or is duly authorized to grant such rights. 4. Client Notification of Drone Use. If aerial photography or videography is included in the Services, is responsible for notifying the property owner of planned drone operations over or near the property before the shoot date, and for obtaining any required landowner consent. 5. Indemnification. shall indemnify and hold harmless from any claim by a property owner arising from: (a) use of images of the property without required permission; (b) a permission that was granted by an unauthorized person; or (c) use of images outside the scope of the permission obtained.

8. Representations & Warranties (Mutual Authority / Non-Infringement / Compliance)

REPRESENTATIONS AND WARRANTIES (a) Mutual Representations. Each party represents and warrants to the other, as of the Effective Date and throughout the term of this Agreement, that: (i) Authority. It has the full legal right, power, and authority to enter into this Agreement and to perform its obligations hereunder; (ii) No Conflicts. Its execution, delivery, and performance of this Agreement do not and will not: (A) violate any applicable law, regulation, or court order; or (B) conflict with or result in a breach of any agreement to which it is a party; (iii) Binding Obligation. This Agreement constitutes its legal, valid, and binding obligation, enforceable against it in accordance with its terms; (iv) No Litigation. As of the Effective Date, there is no pending or, to its knowledge, threatened legal proceeding that would materially impair its ability to perform its obligations under this Agreement; and (v) Compliance with Law. It will comply with all applicable laws and regulations in performing its obligations or exercising its rights under this Agreement. (b) Agency Representations. additionally represents and warrants that: (i) Professional Standards. It will perform the Services in a professional and workmanlike manner consistent with industry standards; (ii) Non-Infringement. The materials, methodologies, and content created by (excluding Client-supplied content) will not, to 's knowledge, infringe or misappropriate any third party's copyright, trademark, patent, trade secret, or other intellectual property right; (iii) Qualifications. It has the skills, experience, and qualifications necessary to perform the Services; and (iv) No Deceptive Practices. It will not engage in deceptive, unfair, or fraudulent practices in connection with the Services, including practices that violate the FTC Act or any analogous consumer-protection law. (c) Client Representations. additionally represents and warrants that: (i) Content Accuracy. All product descriptions, claims, pricing information, testimonials, and other materials supplied by to for publication or promotion are, to 's knowledge, truthful, accurate, and not misleading, and are substantiated by competent and reliable evidence where required by applicable law; (ii) Ownership and Licenses. owns or has obtained all necessary rights, licenses, and permissions for all content, assets, images, trademarks, and data that provides to for use in the Services, and 's provision of such materials to does not violate any third party's intellectual property rights; (iii) Regulatory Compliance. 's products, services, and business practices comply with all applicable laws and regulations, and is not aware of any pending or threatened regulatory investigation or enforcement action that would affect the permissibility of the Services; (iv) Account Authority. has or will obtain all necessary rights, consents, and authorities to grant access to 's systems, accounts, and platforms required to perform the Services; and (v) No Restricted Industry Violations. 's products and services do not violate the applicable policies of the platforms on which the Services will be performed. (d) Disclaimer. EXCEPT AS EXPRESSLY STATED IN THIS SECTION, NEITHER PARTY MAKES ANY OTHER WARRANTY, EXPRESS OR IMPLIED, INCLUDING ANY IMPLIED WARRANTY OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR NON-INFRINGEMENT. DOES NOT WARRANT SPECIFIC BUSINESS OUTCOMES, REVENUE RESULTS, OR OTHER SPECIFIC RESULTS OR OUTCOMES FROM THE SERVICES.

9. Confidentiality / Non-Disclosure Obligation

CONFIDENTIALITY (a) Definition. "Confidential Information" means all non-public information disclosed by one party ("Discloser") to the other ("Recipient") in connection with this Agreement that is designated as confidential at the time of disclosure, or that a reasonable person would understand to be confidential given the nature of the information and circumstances of disclosure. Without limiting the foregoing, Confidential Information includes: business plans, financial data, pricing, fee structures, customer and prospect lists, proprietary methodologies, software, technical specifications, and personnel information. (b) Exclusions. Confidential Information does not include information that: (i) is or becomes publicly available through no fault of Recipient; (ii) Recipient already knew before receiving it from Discloser, as shown by written records; (iii) Recipient independently develops without use of or reference to the Confidential Information; or (iv) Recipient rightfully receives from a third party without restriction. (c) Obligations. Recipient will: (i) use Discloser's Confidential Information solely to perform or receive the Services under this Agreement; (ii) disclose it only to its employees, contractors, and advisors who have a need to know and who are bound by confidentiality obligations no less protective than this clause; and (iii) protect it with at least the same degree of care it uses for its own confidential information of similar sensitivity, but in no event less than reasonable care. (d) Compelled Disclosure. Recipient may disclose Confidential Information if required by law, court order, or regulatory authority, provided that Recipient: (i) gives Discloser prompt prior written notice to the extent legally permitted; (ii) cooperates with Discloser in seeking a protective order or other appropriate relief; and (iii) discloses only what is legally required. (e) Trade Secrets. Obligations with respect to information that constitutes a trade secret under applicable law (including the Defend Trade Secrets Act, 18 U.S.C. § 1836) will continue for as long as such information remains a trade secret, notwithstanding any shorter survival period stated below. (f) Subcontractors. may share 's Confidential Information with approved subcontractors solely to the extent necessary for them to perform work under this Agreement, provided each subcontractor is bound by written confidentiality obligations at least as protective as this clause. (g) Return or Destruction. Upon termination or expiration of this Agreement, or upon Discloser's written request, Recipient will promptly return or securely destroy all of Discloser's Confidential Information (including copies) and certify such return or destruction in writing, except as required by law or for legal-hold purposes. (h) Survival. This Section survives termination or expiration of this Agreement for a period of 3 years, except as provided in Section (e).

10. Mutual Indemnification

MUTUAL INDEMNIFICATION (a) Agency Indemnification. will defend, indemnify, and hold harmless and its officers, directors, employees, and agents ("Client Indemnitees") from and against any third-party claims, suits, proceedings, losses, damages, liabilities, costs, and expenses (including reasonable attorneys' fees) ("Losses") arising out of or related to: (i) any material breach by of its representations, warranties, or obligations under this Agreement; (ii) 's infringement of a third party's intellectual property rights through materials created solely by and not based on Client-supplied content; (iii) 's violation of applicable law in performing the Services; or (iv) 's gross negligence or willful misconduct. (b) Client Indemnification. will defend, indemnify, and hold harmless and its officers, directors, employees, subcontractors, and agents ("Agency Indemnitees") from and against any Losses arising out of or related to: (i) any material breach by of its representations, warranties, or obligations under this Agreement; (ii) Client-supplied materials, content, product claims, pricing information, images, or data that infringe a third party's intellectual property rights or constitute false, misleading, or unsubstantiated claims under applicable law; (iii) 's violation of applicable law; or (iv) 's gross negligence or willful misconduct. (c) Indemnification Procedure. The indemnified party will: (i) promptly notify the indemnifying party in writing of any claim for which indemnification is sought (provided that delay in notice reduces the indemnification obligation only to the extent the indemnifying party is materially prejudiced by the delay); (ii) give the indemnifying party sole control of the defense and settlement of the claim, provided that no settlement that imposes any obligation, restriction, or liability on the indemnified party may be entered without the indemnified party's prior written consent, not to be unreasonably withheld; and (iii) provide reasonable cooperation and assistance at the indemnifying party's expense. (d) Interaction with Liability Cap. The indemnification obligations in this Section are subject to the aggregate liability cap set forth in the Limitation of Liability clause, except for claims arising from a party's gross negligence or willful misconduct, which are not subject to that cap.

11. Limitation of Liability & Consequential Damages Exclusion

LIMITATION OF LIABILITY (a) Exclusion of Consequential Damages. To the fullest extent permitted by applicable law, neither party will be liable to the other for any indirect, incidental, special, consequential, punitive, or exemplary damages — including lost profits, lost revenue, loss of business opportunity, loss of data, or harm to reputation — arising out of or related to this Agreement, even if the party has been advised of the possibility of such damages and even if a limited remedy fails of its essential purpose. (b) Aggregate Cap. Each party's total aggregate liability to the other arising out of or related to this Agreement — whether in contract, tort (including negligence), strict liability, or otherwise — will not exceed the total fees actually paid or payable by to during the -month period immediately preceding the event giving rise to the claim, or , whichever is greater. (c) Exceptions. The limitations in Sections (a) and (b) do not apply to: (i) a party's obligation to indemnify the other for third-party claims of intellectual property infringement under the Mutual Indemnification clause; (ii) liability arising from a party's gross negligence or willful misconduct; (iii) a party's obligations under the Data Protection and Confidentiality clauses with respect to a data breach caused by that party's failure to maintain reasonable security; or (iv) a party's obligation to pay amounts owed under this Agreement. (d) Basis of the Bargain. Each party acknowledges that the limitations in this Section reflect a reasonable allocation of risk, are an essential element of the basis of the bargain between the parties, and that would not have entered into this Agreement without these limitations.

12. Image Archival, Backup, and Data Retention Policy

IMAGE ARCHIVAL AND BACKUP 12.1 Retention Period. Provider will retain copies of the Deliverables for a period of 7 from the delivery date ("Retention Period"). If no period is specified, the Retention Period defaults to: (a) twelve (12) months for commercial, editorial, and corporate shoots; or (b) twenty-four (24) months for weddings and milestone events. 12.2 Deletion After Retention Period. After expiration of the Retention Period, Provider may permanently delete all copies of the Works and has no obligation to retain, archive, or provide access to the Works. Provider will not provide advance notice of deletion unless required by a separate written agreement. 12.3 Client Backup Obligation. Client is solely responsible for downloading, backing up, and preserving the Deliverables. Client must maintain at least one independent backup copy. Provider's retention of files during the Retention Period is a courtesy only and does not relieve Client of this obligation. 12.4 Re-Delivery Requests. During the Retention Period, Client may request re-delivery of previously delivered files. Provider may charge a re-delivery fee of per request. Re-delivery requests submitted after the Retention Period expires cannot be fulfilled. Client must submit any re-delivery request within the Retention Period; requests received after deletion are not honored. 12.5 No Guarantee of Survival. Provider does not warrant that backup copies will survive hardware failure, data corruption, theft, or disaster. Provider's archival obligation is a reasonable-efforts obligation and does not create liability for data loss beyond Provider's control.

13. Video Production Revision Rounds and Approval Process

VIDEO POST-PRODUCTION PHASES AND REVISIONS 1. Post-Production Phases. The post-production process consists of the following phases, each requiring 's written approval before Designer proceeds: (a) Script / Storyboard Approval (if applicable): Designer delivers a script, storyboard, or shot list. may request revisions until written approval is issued. Script revisions requested after production begins are a scope change and may incur additional fees. (b) Rough Cut / Assembly Cut: Designer delivers a rough cut for review. (c) Fine Cut / Locked Picture: Incorporates approved rough-cut revisions. (d) Final Delivery: Color grade, audio mix, and titles applied to locked picture. 2. Included Revision Rounds. Each phase includes 2 round(s) of revisions at no additional charge. A "revision round" means one consolidated written list of changes submitted in a single communication. Piecemeal feedback submitted across multiple emails or messages does not constitute a single revision round—Designer will acknowledge receipt and request that all feedback be consolidated before work begins. 3. Scope of Revisions. Revisions must address the original approved scope and brief. A "revision" includes adjustments to pacing, color, audio levels, title copy, and sequencing of approved footage. It does NOT include: (a) fundamental restructuring of the narrative arc; (b) reshooting scenes; (c) replacing the majority of footage; or (d) changing the deliverable format (e.g., horizontal to vertical). Changes of this kind constitute a new project and will be quoted separately. 4. Client Feedback Deadline. must provide written feedback within 5 calendar days of receiving each phase deliverable. If does not respond within this window, the phase is deemed approved and Designer will proceed to the next phase. A single reminder email will be sent on day 7; if no response follows by day 5, approval is automatic. 5. Additional Revision Rounds. Additional revision rounds beyond the included allotment are available at per round, invoiced before work begins. 6. No Posting Until Approved. will not post or publish any video deliverable until written final approval is issued. Designer is not liable for consequences of unauthorized early publication.

14. Music Licensing and Third-Party Content (Video Production)

MUSIC LICENSING AND THIRD-PARTY CONTENT 1. Third-Party Content Defined. "Third-Party Content" means any copyrighted material not created by Designer or specifically for this project, including music, sound recordings, stock footage, fonts, graphic elements, and other pre-existing works incorporated into the video deliverables. 2. Designer-Sourced Music. Unless otherwise specified, Designer will source music from Designer's licensed royalty-free library (, e.g., Musicbed, Artlist, Epidemic Sound). These licenses include both the synchronization license (right to pair music with video) and the master use license (right to use the specific recording). Designer will confirm that the license tier covers Client's intended usage scope before finalizing music selection. 3. Usage Scope Matching. Music licenses must match Client's intended use. Client must disclose before production: (a) all platforms where the video will be published (YouTube, Instagram, broadcast TV, etc.); (b) whether the video will be used in paid advertising; (c) the intended duration of use (campaign period or evergreen); and (d) whether the video will be sub-licensed or used by third parties. If Client's usage expands after delivery, Client is solely responsible for upgrading the music license to cover the expanded use. 4. Client-Requested Music. If Client requests a specific song not available in Designer's licensed library (e.g., a commercially released track): (a) Client is responsible for obtaining and paying for both a synchronization license and a master use license from the applicable rights holders before Designer incorporates the music; (b) Designer will not incorporate unlicensed commercially released music under any circumstances; and (c) Client acknowledges that unlicensed music will result in takedowns, muting, or demonetization on YouTube, Instagram, Facebook, and TikTok, and that Designer bears no liability for such platform actions. 5. Platform-Specific Risks. Even properly licensed music may be flagged by platform Content ID systems. Designer is not liable for platform-initiated takedowns or monetization claims arising from music licensing disputes, provided Designer sourced the music from a licensed library matching the usage scope disclosed by Client. 6. Documentation. Designer will retain and provide Client with proof of music licensing (license certificates or library receipts) upon written request.

15. Client-Provided Assets and Pre-Existing Material

1. Definition of Client-Provided Materials. "Client-Provided Materials" means any and all content, materials, assets, or other items provided by to Producer for incorporation into the Work or for reference during production, including without limitation: (a) Brand assets (logos, trademarks, brand guidelines, color palettes, fonts); (b) Pre-existing video footage, photographs, graphics, animations, or other visual materials; (c) Audio materials (music tracks, voiceover recordings, sound effects); (d) Scripts, storyboards, shot lists, creative direction documents, or other written materials; (e) Product samples, prototypes, or physical materials for filming; (f) Third-party materials that has licensed or claims to have the right to use (stock footage, stock music, licensed software, etc.). 2. Representations and Warranties. represents, warrants, and covenants that: (a) Ownership or License. owns all right, title, and interest in the Client-Provided Materials, or has obtained valid, enforceable licenses or permissions sufficient to authorize Producer to use, reproduce, modify, publicly display, publicly perform, and incorporate the Client-Provided Materials into the Work and to grant the rights in the final Work specified in the IP Ownership clause of this Agreement. (b) No Infringement. The Client-Provided Materials do not, and Producer's use of the Client-Provided Materials as authorized under this Agreement will not, infringe, misappropriate, or violate any third party's intellectual property rights, rights of publicity or privacy, or any other legal right. (c) No Conflicting Obligations. 's provision of the Client-Provided Materials to Producer and authorization for Producer to use them does not breach any agreement, obligation, or restriction to which is a party or by which is bound. (d) Compliance with Licenses. If any Client-Provided Materials are used pursuant to a third-party license (e.g., stock music from AudioJungle, stock footage from Shutterstock), (i) has obtained the appropriate license tier to permit the uses contemplated by this Agreement, (ii) has provided Producer with a copy of the license terms or a written summary of material restrictions (e.g., broadcast exclusions, attribution requirements, geographic limits), and (iii) is solely responsible for ongoing compliance with such license terms, including payment of any additional fees if the actual use exceeds the licensed scope. (e) Music Clearance. If provides or requests the use of any specific music track, warrants that has secured or will secure all necessary synchronization licenses, master use licenses, performance rights, and any other music rights required for the intended distribution and exhibition of the Work. If instructs Producer to "use [song name]" without providing written evidence of clearance, Producer may rely on 's instruction as confirmation that has handled clearance, and assumes all risk and liability for infringement. 3. Indemnification. shall defend, indemnify, and hold harmless Producer, Producer's employees, contractors, and subcontractors from and against any and all third-party claims, demands, liabilities, damages, losses, costs, and expenses (including reasonable attorneys' fees and court costs) arising out of or related to: (a) Any breach of the representations and warranties in Section 2 above; (b) Any claim that Client-Provided Materials infringe or misappropriate any third party's intellectual property rights, rights of publicity or privacy, or other legal rights; (c) Any claim arising from Producer's use of Client-Provided Materials as authorized by under this Agreement, including without limitation claims for copyright infringement, trademark infringement, violation of license terms, breach of confidentiality, or unlawful use of name or likeness; or (d) 's failure to obtain or maintain any required third-party licenses or permissions for Client-Provided Materials. 4. Notice and Cooperation. If Producer receives any notice, cease-and-desist letter, DMCA takedown notice, or other claim related to Client-Provided Materials, Producer shall promptly notify and provide with a reasonable opportunity to assume defense of the claim. Producer shall reasonably cooperate with 's defense, provided reimburses Producer for reasonable out-of-pocket costs incurred in such cooperation. 5. Producer's Right to Reject. If Producer reasonably believes that any Client-Provided Materials may infringe third-party rights, violate applicable law, or expose Producer to liability, Producer may decline to incorporate such materials into the Work and shall promptly notify . may either (i) provide substitute materials, (ii) provide Producer with satisfactory written evidence of ownership or license clearance (e.g., a license certificate, legal opinion, or indemnification letter from the rights holder), or (iii) accept responsibility for any resulting claims by providing Producer with a separate written indemnification. If cannot or will not do any of the foregoing, Producer may proceed with the project omitting the disputed materials, with no reduction in project fee, or Producer may terminate this Agreement for cause and receive payment for all work performed to date plus any kill fee specified in this Agreement. 6. Attribution and Credit Obligations. If any Client-Provided Materials are subject to attribution, credit, or other acknowledgment requirements (e.g., stock license requires credit line, Creative Commons requires attribution), shall inform Producer in writing of the specific credit language and placement requirements at the time the materials are provided. Producer shall use commercially reasonable efforts to include such attribution in the final Work and in any promotional materials for the Work. If fails to inform Producer of attribution requirements and a claim arises from the omission, remains solely liable under the indemnification provisions of Section 3.

16. Subcontractor / Approved Vendor Flow-Down

SUBCONTRACTORS (a) Right to Subcontract. may engage subcontractors and independent contractors ("Subcontractors") to assist in performing the Services, provided that remains responsible for the quality and timely delivery of all work performed by its Subcontractors and for any breach of this Agreement caused by a Subcontractor. (b) Approval for Platform Access. will not permit any Subcontractor to access 's software platforms, systems, accounts, or other third-party platform credentials without 's prior written approval (which may be given by email and will not be unreasonably withheld or delayed). (c) Flow-Down Obligations. will, by written agreement with each Subcontractor, impose obligations on the Subcontractor that are at least as protective as those set forth in this Agreement with respect to: (i) Confidentiality — protecting 's Confidential Information to the same standard as required of ; (ii) Intellectual property — assigning to (for flow-through assignment to ) all work product and intellectual property created by the Subcontractor as part of the Services; (iii) Data protection — handling personal data in accordance with applicable privacy laws and the data-protection obligations in this Agreement, to the extent the Subcontractor processes personal data; (iv) Non-disclosure — prohibiting the Subcontractor from using 's Confidential Information or work product for any purpose other than performing the Services under this Agreement; and (v) Return of materials — returning or destroying 's Confidential Information and credentials upon completion of the subcontracted work or upon request. (d) No Additional Cost. Unless otherwise agreed, 's use of Subcontractors does not entitle it to charge additional fees beyond those stated in this Agreement. (e) Client Veto. If reasonably objects in writing to a specific Subcontractor (for example, due to a documented conflict of interest or security concern), will use commercially reasonable efforts to replace that Subcontractor within 15 business days without disrupting the Services. (f) Agency Liability. is liable to for the acts and omissions of its Subcontractors to the same extent as if had performed the relevant work itself.

17. Dispute Resolution — Escalation Ladder (Negotiation → Mediation → Arbitration/Litigation)

DISPUTE RESOLUTION (a) Good-Faith Negotiation. Before initiating any formal dispute proceeding, the parties will attempt to resolve any dispute, controversy, or claim arising out of or relating to this Agreement ("Dispute") through good-faith negotiation. Either party may initiate this step by delivering written notice to the other describing the Dispute in reasonable detail ("Dispute Notice"). Senior representatives of each party with authority to resolve the Dispute will meet (in person, by phone, or by videoconference) within 10 business days of the Dispute Notice and attempt to resolve the matter in good faith for a period of 30 business days from the date of the Dispute Notice (or longer, if agreed in writing). (b) Mediation. If the Dispute is not resolved through negotiation within the timeframe in Section (a), either party may submit it to non-binding mediation administered by (or, if the parties cannot agree on a provider, by the American Arbitration Association under its Commercial Mediation Procedures). The mediation will take place in , . The parties will share mediator fees equally. Each party will bear its own legal fees for the mediation. (c) Binding Arbitration. If the Dispute is not resolved through mediation within 60 days after the appointment of the mediator, either party may demand binding arbitration. Arbitration will be administered by under its then-current , before a single arbitrator. The arbitration will take place in , . The arbitrator's decision will be final and binding and may be entered as a judgment in any court of competent jurisdiction. The parties agree that the arbitration — including its existence, proceedings, and any award — is confidential. (d) Exceptions to Arbitration. Either party may seek emergency injunctive or other equitable relief from a court of competent jurisdiction without first completing the negotiation or mediation steps, to prevent irreparable harm — including to protect Confidential Information or intellectual property — pending the outcome of arbitration. (e) Small Claims. Either party may bring a Dispute in small claims court if the amount in controversy falls within that court's jurisdictional limit. (f) Class Action Waiver. Each party waives any right to bring or participate in any class action, class arbitration, or representative proceeding relating to this Agreement. (g) Governing Law for Arbitration. The arbitration will be governed by the Federal Arbitration Act (9 U.S.C. §§ 1–16) and, where not preempted, by the laws of .

18. Governing Law, Jurisdiction & Venue

GOVERNING LAW; JURISDICTION; VENUE (a) Governing Law. This Agreement and any dispute arising out of or related to it — including its formation, interpretation, performance, breach, or termination — will be governed by and construed in accordance with the laws of the State of , without regard to its conflict-of-law provisions. (b) Consent to Jurisdiction. Each party irrevocably submits to the exclusive personal jurisdiction of the state and federal courts located in County, for any action or proceeding arising out of or relating to this Agreement that is not subject to arbitration under the Dispute Resolution clause (if any). (c) Venue. Each party waives any objection to the laying of venue in the courts identified in Section (b), and waives any claim that such courts are an inconvenient forum. (d) Service of Process. Service of process in any such action may be made by any method authorized by the applicable court rules or by mailing a copy of the summons and complaint by registered or certified mail, return receipt requested, to the party's address set forth in this Agreement. (e) Prevailing Party. In any dispute arising under this Agreement, the prevailing party is entitled to recover its reasonable attorneys' fees and costs from the non-prevailing party, unless the parties have agreed to a different allocation in the Dispute Resolution clause.

19. Force Majeure

FORCE MAJEURE (a) Definition. A "Force Majeure Event" means any event beyond a party's reasonable control that prevents or materially impairs that party's ability to perform its obligations under this Agreement, including: acts of God; natural disasters; fire; flood; earthquake; epidemic or pandemic; war; terrorism; riots or civil unrest; actions or inactions of governmental authorities (including government-mandated service restrictions or platform-access bans); internet or telecommunications infrastructure failures (including widespread outages of major technology or infrastructure platforms affecting substantially all users); power outages; and cyber-attacks on the party's systems not caused by the party's own negligence (each, individually a "Force Majeure Event"). Economic downturns, changes in market conditions, and changes in third-party platform features or algorithms do not constitute Force Majeure Events. (b) Effect. The party affected by a Force Majeure Event ("Affected Party") will be excused from performance of the affected obligations during the continuance of the Force Majeure Event, provided that the Affected Party complies with the notice and mitigation obligations below. (c) Notice. The Affected Party will give the other party written notice of the Force Majeure Event as soon as reasonably practicable after the event begins, describing the nature of the event, the expected duration, and the obligations affected. (d) Mitigation. The Affected Party will use commercially reasonable efforts to mitigate the impact of and to overcome the Force Majeure Event, and will resume performance as soon as reasonably practicable after the event ends. (e) Suspension and Termination. If a Force Majeure Event prevents a party's material performance for more than 30 consecutive days, either party may terminate this Agreement on written notice without further liability, except for: (i) amounts already earned and owing; and (ii) obligations that survived the term of the Agreement (including confidentiality and IP assignments). (f) No Payment Excuse. A Force Majeure Event does not excuse from paying for Services already performed before the event or for Services is able to perform notwithstanding the event.

20. Assignment

20.1 General Restriction. Neither Party may assign, delegate, or transfer any of its rights or obligations under this Agreement, in whole or in part, without the other Party's prior written consent, which will not be unreasonably withheld or delayed. 20.2 M&A Exception. Notwithstanding Section 20.1, either Party may assign this Agreement without consent in connection with a merger, acquisition, change of control, or sale of all or substantially all of the assets to which this Agreement relates, provided that: (a) the assignee assumes all obligations of the assigning Party under this Agreement; and (b) the assigning Party provides the other Party written notice within thirty (30) days of the assignment. 20.3 Void Assignment. Any purported assignment in violation of this Section is void. 20.4 Binding Effect. This Agreement is binding upon and inures to the benefit of the Parties and their permitted successors and assigns.

21. Notices

21.1 Form. All notices, requests, demands, consents, and other communications required or permitted under this Agreement ("Notices") must be in writing. 21.2 Delivery Methods. Notices may be delivered by: (a) personal delivery; (b) nationally recognized overnight courier (e.g., FedEx, UPS); (c) certified or registered mail, return receipt requested, postage prepaid; or (d) email to the address specified below, provided that the sender retains proof of transmission and does not receive an automated bounce or delivery-failure notification within twenty-four (24) hours. 21.3 Effectiveness. Notices are effective: (a) upon personal delivery; (b) one (1) business day after deposit with overnight courier; (c) three (3) business days after deposit in the mail; or (d) on the day of email transmission if sent by 5:00 PM recipient's local time on a business day, or on the next business day if sent after 5:00 PM or on a non-business day. 21.4 Addresses. To Provider: , , Email: To Customer: , , Email: Either Party may change its notice address by providing written notice to the other in accordance with this Section.

22. Amendments & Waiver

22.1 Amendments. This Agreement may not be amended, modified, or supplemented except by a written instrument signed by authorized representatives of both Parties. 22.2 No Waiver. No failure or delay by either Party in exercising any right, remedy, power, or privilege under this Agreement operates as a waiver thereof. No single or partial exercise of any right, remedy, power, or privilege precludes any other or further exercise thereof or the exercise of any other right, remedy, power, or privilege. 22.3 Written Waivers Only. Any waiver of a provision of this Agreement must be in writing and signed by the waiving Party to be effective. A written waiver of any particular breach or right is effective only for the specific instance and purpose for which it was given.

23. Severability

If any provision of this Agreement is held by a court of competent jurisdiction to be invalid, illegal, or unenforceable under applicable law, that provision will be: (a) modified to the minimum extent necessary to make it valid, legal, and enforceable while preserving the Parties' original intent; or (b) if modification is not possible, severed from this Agreement. The validity, legality, and enforceability of the remaining provisions will not in any way be affected or impaired. The Parties agree to negotiate in good faith a replacement provision that, to the greatest extent possible, achieves the intended commercial purpose of the severed provision.

24. Entire Agreement (Integration)

24.1 Integration. This Agreement, together with all SOWs, Change Orders, and exhibits executed hereunder, constitutes the entire agreement between the Parties with respect to its subject matter and supersedes all prior and contemporaneous agreements, negotiations, representations, warranties, and understandings, whether written or oral, relating to the same subject matter. 24.2 No Oral Modifications. No oral statement, prior course of dealing, trade usage, or conduct will be used to supplement, interpret, or contradict the written terms of this Agreement. 24.3 Purchase Orders. Any terms set forth in Customer's purchase orders, vendor registration forms, or similar documents are of no force or effect and do not modify this Agreement unless expressly incorporated into a signed SOW or Change Order. 24.4 Results Representations. Customer acknowledges that no employee, agent, or representative of Provider has authority to guarantee specific results or outcomes, and that any such representation made outside this Agreement is not binding on Provider.

25. Electronic Signature & Counterparts

25.1 Electronic Signatures. This Agreement and any SOW or amendment may be signed by electronic signature, including signatures created through or any other electronic signature service compliant with the Electronic Signatures in Global and National Commerce Act (E-SIGN Act), 15 U.S.C. § 7001 et seq., and the Uniform Electronic Transactions Act (UETA) as enacted in the applicable jurisdiction. Electronic signatures have the same legal effect as original handwritten signatures. 25.2 Counterparts. This Agreement may be executed in one or more counterparts, each of which will be deemed an original, and all of which together will constitute one and the same instrument. Delivery of an executed counterpart by electronic transmission (including PDF or electronic signature platform delivery) is equally effective as delivery of a manually executed counterpart.

26. Editing Style and Creative Control

EDITING STYLE AND CREATIVE CONTROL .1 Provider Creative Discretion. acknowledges that Provider is engaged for Provider's professional judgment, artistic style, and technical expertise. Provider retains sole creative discretion over: (a) shot selection and framing; (b) exposure, color grading, and tonal adjustments; (c) cropping and aspect ratios; (d) selection of which images or footage to edit and deliver; and (e) overall artistic presentation of the final deliverables ("Creative Decisions"). .2 Image Selection. Provider selects which images from the shoot are edited and delivered. may not demand that specific unselected images be edited, unless purchases RAW files under Section [raw-footage-ownership-access] and arranges for editing independently. .3 Minor Adjustments Permitted. Notwithstanding the above, may, within the included revision rounds under this Agreement, request minor adjustments to delivered images, including: brightness/exposure corrections, color temperature adjustments, basic cropping, and removal of minor distractions (blemishes, background clutter). Provider will accommodate minor adjustment requests within Provider's professional judgment and at no additional charge, up to the included revision limit. .4 Style-Compromise Refusal. Provider may decline to apply edits that Provider reasonably determines would: (a) conflict with Provider's established brand aesthetic; (b) misrepresent Provider's work if used in Provider's portfolio; or (c) produce a result below Provider's professional standards. Provider will notify in writing within 5 days of receiving the edit request if Provider declines on style grounds, and will offer an alternative solution. .5 Third-Party Editing. If wishes to engage a third party to edit delivered images, must obtain Provider's prior written consent (not to be unreasonably withheld for personal use edits) and must comply with the alteration restrictions in Section [image-alteration-third-party-editing].

27. Final Cut Authority and Creative Differences Dispute

1. Creative Authority Allocation. (a) Factual Content Accuracy. retains final authority over all factual representations, brand messaging, product features, pricing, legal disclosures, trademarks, logos, and any other content where accuracy or brand consistency is material. Producer shall implement all changes to factual content without additional charge, provided such changes do not require re-shooting or re-licensing third-party materials. (b) Artistic Execution. Producer retains authority over artistic and technical execution, including without limitation shot composition, camera movement, editing pace and rhythm, color grading, audio mixing, music selection (subject to licensing approval by ), graphics style, and transitions. feedback on artistic elements is advisory; Producer shall consider such feedback in good faith but is not obligated to implement artistic changes that Producer reasonably believes would compromise the professional quality or coherence of the Work. (c) Revision Limit Context. This allocation applies after the 2 Revision Rounds specified in the Statement of Work have been exhausted and the parties have reached an impasse on creative direction. 2. Escalation and Resolution. If, after exhausting the 2 included Revision Rounds, the parties cannot agree on the final cut and the disagreement is not resolved through the good-faith meet-and-confer process described in the Dispute Resolution clause, either party may invoke this Final Cut Dispute protocol: (a) Kill Fee Election by . may elect to terminate the project by written notice and payment of a kill fee equal to 50% of the total project fee, less any amounts already paid. Upon receipt of the kill fee, Producer shall deliver to all project files in their current state, including raw footage, edited sequences, project files, and any licensed assets for which has paid or agrees to pay the licensing fee. Producer grants a non-exclusive license to use the delivered materials solely for internal review or to engage another editor to complete the project; may not publish or distribute the incomplete Work without Producer's prior written consent. (b) Producer Withdrawal Election. Producer may elect to withdraw from the project by written notice and forfeiture of all unpaid fees. In such event, is entitled to a refund of % of fees paid to date, and Producer retains all project materials and work product. No license or other right in the Work or footage is granted to if Producer elects withdrawal. (c) Mutual Agreement to Engage Mediator. As an alternative to kill fee termination, the parties may jointly engage a mutually acceptable industry creative director or producer to provide a non-binding recommendation on the disputed creative elements. The parties shall share the cost of the mediator equally. If the mediator's recommendation is not accepted by both parties within five (5) business days of receipt, either party may invoke the kill fee or withdrawal election set forth above. 3. No Diminishment of Approval Rights. Nothing in this clause diminishes 's right to reject deliverables that fail to meet the specifications or quality standards set forth in the Statement of Work, or Producer's obligation to perform all included Revision Rounds in good faith.

28. Behind-the-Scenes Content and Making-Of Rights

1. Definition of BTS Content. "Behind-the-Scenes Content" or "BTS Content" means photographs, video footage, audio recordings, interviews, and other materials that document the production process, including without limitation crew at work, equipment setup, candid moments, bloopers, outtakes, and making-of commentary, but excluding the primary footage and audio captured for the deliverable Work specified in the Statement of Work. 2. Ownership and Rights. (a) Producer Retains Ownership. All BTS Content remains the sole property of Producer. acquires no ownership rights in BTS Content unless expressly transferred by separate written agreement. (b) License Grant to (Optional Election). [ ] Option A: BTS Content Included. Producer grants a license to use BTS Content for . The license term is . shall provide Producer with attribution credit as "" in any public use of BTS Content. [ ] Option B: BTS Content Not Included. BTS Content is not included in the deliverables or licensed to under this Agreement. Producer may create and use BTS Content for Producer's own marketing, portfolio, and social media without approval, subject to the confidentiality and non-disparagement provisions of this Agreement. [ ] Option C: BTS Content Available for Additional Fee. BTS Content is not included in the base project fee. may license BTS Content by written election and payment of an additional fee of $. If elects this option, Producer shall deliver BTS Content within 14 days of final project delivery, and the license grant set forth in Option A shall apply. (c) Producer's Portfolio and Marketing Use. Regardless of which option is selected above, Producer retains the non-exclusive right to use BTS Content for Producer's own portfolio, case studies, social media, industry submissions, and other marketing purposes, provided such use does not disclose Confidential Information or violate the non-disparagement provisions of this Agreement. If the Publicity clause of this Agreement requires approval for portfolio use, that approval requirement extends to BTS Content depicting 's personnel, locations, or products. 3. Third-Party Appearances in BTS Content. (a) Producer Responsibility. If BTS Content is licensed to under Option A or Option C above, Producer represents that Producer has obtained any necessary releases, consents, or permissions from crew members, talent, and other individuals appearing in the BTS Content to permit the uses licensed to . (b) Responsibility. If 's employees, contractors, or other personnel appear in BTS Content, warrants that it has authority to grant Producer the right to depict those individuals in BTS Content and to grant the license set forth in subsection 2(c) above for Producer's marketing use. 4. No Obligation to Create BTS Content. Unless expressly included as a deliverable in the Statement of Work, Producer has no obligation to capture, edit, or deliver BTS Content. This clause governs ownership and use only if Producer elects to create BTS Content in the course of the project.

29. Kill Fee / Early Termination Compensation

29.1 Purpose. This Section establishes a reasonable pre-estimate of Provider's actual damages upon Customer-initiated early termination, comprising (i) unrecovered onboarding and ramp costs, (ii) lost contribution margin on foregone work, and (iii) opportunity cost of reserved capacity. The parties agree these are genuine pre-estimates and not penalties. 29.2 Early Termination Compensation. If Customer terminates this Agreement or any SOW prior to completion for any reason other than Provider's uncured material breach (i.e., a termination for convenience under Section ), Customer will pay Provider a kill fee calculated as follows, in addition to all fees earned for Services already performed: (a) Termination before completion of Stage 1 (defined in the applicable SOW): % of the total remaining unpaid SOW fees, reflecting that Provider has incurred full onboarding costs (strategy, account setup, tool provisioning, and personnel allocation) but recovered minimal revenue. (b) Termination after Stage 1 completion but before Stage 2 completion: % of the total remaining unpaid SOW fees, reflecting partial but incomplete cost recovery. (c) Termination after Stage 2 completion: % of the total remaining unpaid SOW fees, reflecting that a substantial portion of reserved capacity cannot be redeployed on short notice. (d) For month-to-month retainers without defined stages: a flat kill fee equal to weeks of the then-current monthly retainer fee, representing Provider's documented average re-engagement cost and minimum re-deployment lead time. 29.3 Invoice and Payment. Provider will invoice the kill fee within business days of the effective termination date. The kill fee invoice is due and payable within 30 days of invoice date. Late payment accrues interest at the rate set forth in Section . 29.4 No Double Recovery. The kill fee is in lieu of, not in addition to, any lost-profit damages claim arising solely from the early termination. Provider retains all other remedies for separate breaches. 29.5 Reasonableness Documentation. Provider shall make available to Customer, upon written request, its standard onboarding cost schedule and personnel allocation records supporting the kill-fee percentages above, to facilitate enforcement if disputed.

Exhibit A — Services

Provider will deliver commercial video production services encompassing pre-production, production, and post-production phases for corporate, brand, or promotional content. Client receives a limited commercial license for the specified media, territory, and term. Up to three revision rounds are included, with master files delivered upon final approval.

ContractMaker is a document tool, not legal advice. Review every document, and consult a qualified lawyer for important or high-value agreements. See our Terms.

Built for Videographers Who Need a Real Video Contract Agreement

A generic contract does not know you shoot weddings differently from brand reels, or that you require a 50% deposit before the shoot date. ContractMaker maps your exact services, deliverable formats, revision rounds, and payment milestones into a professional services agreement, not a blank form you have to rewrite from scratch.

Download it free with a watermark, or remove the watermark on any paid plan. Either way, the finished videography contract includes IP assignment on final payment, a confidentiality clause, and a liability cap so it holds up when it needs to.

What Your Video Production Contract Covers

The generator collects the specifics that matter most for video work, then builds a complete agreement around them.

  • Client and production company names, addresses, and effective date
  • Scope of services: shoot dates, locations, and video type (wedding, commercial, event, brand reel)
  • Deliverables: format, resolution, number of edited videos, and turnaround window
  • Revision rounds included and what constitutes an out-of-scope change
  • Fee, deposit amount, and payment due dates tied to shoot date and delivery milestones
  • IP assignment: final footage ownership transfers to the client once full payment clears
  • Governing law and liability cap to protect your production business

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Frequently asked questions

Is a video production contract template legally binding?

Once both parties sign, a clear written agreement is generally enforceable. ContractMaker is a document tool, not legal advice. For high-value productions or complex licensing arrangements, have a lawyer review the signed agreement.

How do I handle deposit and cancellation terms in my videography contract?

The generator lets you set a deposit percentage and tie payment due dates to the shoot and delivery. Add your cancellation window in the services field, for example that the deposit is non-refundable if the client cancels within 30 days of the shoot. That language carries into the finished document.

What if the client wants raw footage, not just the edited video?

Raw footage ownership is a common sticking point. The service-agreement template assigns IP on final payment by default. If you retain raw footage rights or license them separately, spell that out in the scope field so the agreement reflects your actual terms, not an assumption.

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Yes. You get a clean, formatted document you can download, print, and send right away. No watermark, no signup.

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ContractMaker is a document tool, not legal advice. The base templates are vetted and openly licensed, but for high-stakes or unusual situations you should have a lawyer review your final document.

Is it really free?

Yes. Every document is free to generate and download, with no watermark and no signup. Fill the fields, download the file, and send it.

Can I edit the wording?

You control every field, so the scope, payment terms, and clauses always match how you work.